Kronanje Popeje
Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea |
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Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea |
Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea |
Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea | Marino Frankola portfolioKronanje Popeje / L'incoronazione di Poppea |
Conductor: Egon Mihajlović
Stage director: Krešimir Dolenčić
Assistant to conductor: Branimir Rezić
Assistant to stage director: Tim Ribič
Set design: Tanja Lacko
Costume design: Ana Savić Gecan
Light: Marino Frankola
Video editing: Oskar Lacko
Video animation: Willem Miličević
Choir mistress: Zsuzsa Budavari Novak
Choreographer: Valentina Turcu
Assistant to choreographer: Tanja Baronik
Foto: Tiberiu Marta
SNG MARIBOR (SI)
III / 2016.
Based loosely on actual events in 1st-century Rome, Monteverdi’s last opera The Coronation of Poppea charts the consuming erotic obsession of the Emperor Nero for the beautiful Poppea Sabina. Ruthlessly sweeping aside anyone who stands in the way of their union – including Nero’s wife Octavia and the poet and philosopher Seneca – Nero and Poppea triumph over all their opponents and rejoice in one of the most sexually-charged opera love duets of the early baroque period. The moral ambivalence of one of opera’s earliest masterpieces ensures that it remains to this day one of the most shocking and compelling.